On On Monday morning, the mail carrier will deliver the parcel from Sweden.Inside is a persona, an inspiring perfume Ingmar Bergman’s most demanding, difficult, abrasive film.. It gives us a bottle of Bergman. The art house has been atomized. Spray it on your wrist and then on your wife, staring at each other in the mist of water droplets. Perfumes are unique, does that mean it’s good?
After a long uneasy moment, the wife nods with peace of mind. “This is actually okay,” she says. “It’s Harvey. It’s lavender. It smells like the ocean.”
We know that personas are specially commissioned by the annual organizer Bergman Week Fårö Island Festival. They explain that the scent is made from oils and herbs that grow in Faro and is intended to somehow reflect the spirit of the film. Alternatively, the festival’s operations manager, Christina Jardin Ribeiro, said: “Persona is an ideal perfume. Both [the film and perfume] Address questions about identity, who we want to be, and the masks we wear to emphasize or protect it. I wonder if this is true: Do movies about masks and disguise naturally help spin off perfumes? If so, luxury fragrances may one day have names such as Frank, Mrs. Doutfire, and Elephant Man.
We put the kids to sleep early and watch the persona, the movie Bergman said was more felt and experienced than understood. A jagged psychological summary taken in 1966, full of swirling horror and heightened tension. Liv Ullmann and Bibi Andesson play a woman in the pain torn between art and duty, dreams and pain. Look at each other’s faces until you start seeing them look back. My wife doesn’t like it and we don’t have an endless, definitive debate about whether art films differ from traditional narrative films. Along the way, I accused her of preferring perfumes. She likes the product better than the actual movie itself.
The movie is fragmented. The scent is not so much. On Tuesday afternoon, my mother stops by to see her grandchildren. She also likes the scent. She says it has a fun note. On the other hand, a 6-year-old child can hardly leave it alone. He demands that he blow air from his head so that he can jump back and forth in the fog, similar to a park sprinkler. He ridicules the persona, is that so bad? It’s Harvey, it’s lavender. It smells like the sea.
During the day, I work in my home office. This is where I have spent the last 18 months. For example, Jack Torrance quarrels inside the Overlook Hotel, staring at the laptop screen until he sees his face look back. The bottle is by my side. My thumb is on the nozzle. I keep thinking about the persona that Swedish scholar Stig Wikander called “the search for the genome of Godlessness.” Peter Bradshaw explained As “a movie that trembles with fascination, lack of understanding, and desire.” The room is cold. The air is thick. A few hours later, I also started to tremble.
My wife opens the door and takes a step back. “You’ve sprayed something like that here,” she says.
“So what if I have it? It’s Harvey, it’s lavender. It smells like the ocean.”
She wrinkles her nose and reaches for the window. She says, “It always makes me a little sick, a perfume.”
Dream Smell: Why Smell Still Escapes Hollywood
By Tania Sanchez, co-author of perfume Luka Turin: With AZ Guide (Profile Book) Perfume: Guide 2018 (Per füümista)
Perfumes and movies are a difficult match. For more than a century, attempts to connect audiovisual and olfactory art have been unsuccessful. No wonder they kept trying. If adding sound to a video creates a “talkie” that changes everything, what does “smell” give us? Let’s say you inhale gunpowder rather than just seeing the blast and hearing the boom.
However, the smell was unexploded. Jack Cardiff’s Sense of Smell (1960) was the only feature film that was completely scent-tracked, with expensive pipes and fans throughout the theater. The plot featured the pursuit of a woman known only for her perfume. It suffered from technical issues and was inadequately reviewed.
Besides plumbing problems, there are also fundamental psychological problems. Sound and light reach from a distance. When we sit in the dark, our attention is fixed to images and noises that are larger and closer than life, our physical sensations are cut off, and enough consciousness to reach popcorn. leave behind.
In contrast, the senses of touch and smell act in close proximity. When someone pokes your finger at you, your mind wanders back. If the scent drifts in your space, you swirl to look for the source. Smell actually justifies you.Probably that is the case I rarely dream of smell – And why does the scent of the movie remain a gimmick?
The only exception to the unfortunate marriage of perfumes and films was the set of very limited editions of the 15 perfumes that accompany the 2006 film. Perfume: The story of the murderer By Patrick Susskind. Perfumer Christoph Laudamiel bases these scents on film scenes, characters and ideas. They are made of good things that are complex, magnificent, thoughtful, skillfully performed, and even humorous – those labeled “human beings” smell bad teeth and dirty bottoms. I will.
Apart from actors, dialogues and distractions of the landscape, perfumes tell their own stories: baroque, beautiful and terrifying. Delicious, scary, or antique. If you try to smell it while looking at the picture, you will close your eyes. That is the problem. The smell doesn’t go well with the photo.
“Persona’s Son’s Stink”: Ingmar Bergman’s Most Challenging Movie-Inspired Week | Ingmar Bergman
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