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Candyman Review – BLM Horror Reboot is a great treat of satire and contempt | Movie

NSAndyman, the first incarnation, went out of the mirror of writer and director Bernard Rose in 1992. US version An English-class shameful parable set in a Liverpool residential complex, Clive Barker’s novella The Forbidden. Rose moves the place to Chicago’s robbed Cabrini-Green project, switches the devil’s racial identity from white to black, and sees how he is summoned by rash unbelievers and laughing teens. I gave it to movie fans who assumed exactly. Since then, Candyman has produced sequels, references, memes, and gags. Handymen and others, if you name them five times in the mirror, appear three hours later and do a terrifying job in the boiler.

Now director Nia DaCosta has worked with co-writer and producer Jordan Peele to create a sophisticated, creepy, highly sophisticated sequel reboot for Candyman’s mythology. ..Beyond Credit DaCosta Inevitably Uses Candyman song From Willy Wonka and the Chocolate Factory-and because it’s based on Roald Dahl’s novel Also, it seems that he created a child catcher with a sweet swing with Chiki Chiki Bang Bang., I think there may be a master’s thesis for someone here.

Dakosta skillfully refines and develops Candyman as an expression of anger against racism in the days of Black Lives Matter, a supernatural weapon cry for Jim Crow and its aftermath. Her film explores Candyman as a symptom of inequality and bad housing (symptomatically emerging from a broken interior wall), and as a consequent phenomenon of gentrification. In a sense, Candyman is a rage-style descendant of Laurence Fishburne’s character Boyz n the Hood. Railing for locals You can get a price from your neighborhood. And this film shows how Candyman’s identity is formed not by individual creators, but as a therapeutic and cathartic fiction that has been drowned by the collective unconscious, like Godzilla after a nuclear attack. Sports with ideas about. And, as it happens, this new movie very diagonally suggests an important question that Candyman enthusiasts have been quietly suffering for decades. Would you like to reset and make the 5th “Candyman” the first one?

The scene is now modern ChicagoAnd contemporary young artist Anthony McCoy (Yahya Abdul Matine II) lives with her stylish partner Brianna Cartwright (Teyonah Parris), a curator and gallerist. They live in flashy luxury condominiums built on the grounds of the old Cabrini-Green district, which was mostly demolished, leaving only the abandoned eerie of low-building rows. Brianna’s brother Troy, a typical stylish performance of Nathan Stewart Jarrett, whose starring role is definitely behind, tells them about Candyman’s legend, and for Anthony it’s an artistic inspiration. He wanders around the Cabrini-Green ruins (a very creepy scene of sunlight), creating a painting behind the mirror, called Say My Name. Before that, gallery visitors are invited to repeat Candyman’s call five times. And when sneaky white teens and self-righteous white critics appear to see it … well, they have the life expectancy of a crew member in a red shirt from USS Enterprise.

There are some amazing and wonderful moments. Anthony is deadly selfish and shallow and can’t suppress the smile of victory in a tough TV news article about Candyman-related horror at his gallery show that mentioned him (“They said my name”. ! “). And DaCosta devised a very strange death scene, a murder seen from a distance, when the camera was quietly pulled apart. This movie is a very delicious treat of satire and contempt.

Candyman Review – BLM Horror Reboot is a great treat of satire and contempt | Movie

Source link Candyman Review – BLM Horror Reboot is a great treat of satire and contempt | Movie

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