Australian ballet company returns to celebrate classical and contemporary dance


Tutu and tights are back. The same goes for plies, entrechats, hair bangs and dance belts.

After a difficult year when 70% of the 2021 season was postponed or canceled, the Australian Ballet returned to the Sydney Opera House for a serious promotion before Christmas.

Featuring Pas de deux from both classical ballet and edgy contemporary works, Celebration Gala is grateful to Sydney for maintaining faith throughout COVID and to Melbourne next month. It’s a feeling.

“There were so many blockades that we got lost,” artistic director David Hallberg joked while taking a break from the rehearsal director.

“It’s been a long way, but the dancers are on stage and it’s time to put them back under the lights.”

During the most recent blockade, the Melbourne-based company was exempt from the Victoria State Government and dancers were required to comply with “very strict guidelines” in the studio space, but could continue training. I did.

“We weren’t playing because it was going well, but we were able to train and rehearse,” Hallberg said.

The results of all its maintenance and preparation will be exhibited in Sydney from Thursday to December 3rd and at the Melbourne Art Center from December 9th to 18th.

Sydney Cider can expect to be amazed by swans and black birds from everyone’s favorite ballet. The lake of swan, And from pas de deux Anna Karenina, This forms part of the company’s 2022 season.

Based on Leo Tolstoy’s 1878 canonical novel of love and death, the ballet was choreographed by former Bolshoy ballet dancer Yuri Possohof and features scores by the award-winning composer Ilya Demutsky.

Hallberg, the first American dancer invited to the Bolshoi Ballet as a principal artist, first met Possohof in Moscow.

Co-production of the Joffrey Ballet in Chicago and the Australian Ballet, Anna Karenina We had a world premiere at Windy City in 2019.

After the Australian premiere in Adelaide earlier this year, it’s now Sydney and Melbourne’s turn.

“It’s a visual feast, an exhibition by a master of dance,” says Hallberg.

“”Anna Karenina It shows the power of storytelling through the beauty of dance. “

Meanwhile, the Melbourne audience will be treated to Serenade Excerpts from and by George Balanchine, the legendary co-founder of the New York City Ballet Artifact Suite By radical American choreographer William Forsythe.

Is it too modern? Relax and the Black Swan appears, but there are no signs of White Swan being concerned-was she dispatched by her love rival in Sydney?

The program also has Pas de deux from Merry Widow, Ballet based on Franz Lehar’s popular operetta. It was created in 1975 by British choreographer Ronald Hynd for the Australian Ballet.

For tickets that include the Black (Swan) Friday offer, please visit australianballet.com.au.


Australian ballet company returns to celebrate classical and contemporary dance

Source link Australian ballet company returns to celebrate classical and contemporary dance

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